Steibelt, Daniel (1764-1823)
heute: 32
gestern: 66
diese Woche: 98
letzte Woche: 908
dieser Monat: 1415
letzter Monat: 2031
Total: 34821

United States 58.7%United StatesItaly 2.1%ItalyJapan 1.1%JapanIreland 0.6%IrelandFinland 0.5%FinlandSlovakia 0.2%Slovakia
Germany 12.9%GermanyCanada 1.9%CanadaPoland 0.7%PolandRussian Federation 0.6%Russian FederationAustralia 0.4%AustraliaCroatia 0.2%Croatia
United Kingdom 3.6%United KingdomAustria 1.2%AustriaSweden 0.7%SwedenBelgium 0.6%BelgiumMexico 0.3%MexicoTaiwan 0.1%Taiwan
France 2.5%FranceSpain 1.2%SpainRepublic Of Korea 0.7%Republic Of KoreaChina 0.6%ChinaPortugal 0.3%PortugalNew Zealand 0.1%New Zealand
Netherlands 2.2%NetherlandsSwitzerland 1.1%SwitzerlandNorway 0.7%NorwayGreece 0.6%GreeceBrazil 0.2%BrazilRomania 0.1%Romania
recent visitor statistic

Projects

Star InactiveStar InactiveStar InactiveStar InactiveStar Inactive
 

Grande Sonate pour le piano-forté op.45 Eb-Dur

im Klang eines Schantz Pianoforte

(zur Paralellinterpretation im Klang eines modernen Bechstein)

erst logo

 

Comments   
0 # Professor, Department of MusicKathleen Solose 2018-07-30 18:54
Hello
great to hear this literature, even if it is somewhat wooden.
I’m curious about the techniques you are using.
I imagine you are translating scores directly to the sampled registers, and then tweaking the timing (in the case of the Adagio] in some places. In this age of difficulty to find venues and funding for live performance, it is a useful service that you are doing! Very interesting project.

Answer.S.F.: Following the idea of the historic informed performance this recordings uses a digital reconstruction of a Schantz pianoforte from the time in which this music was composed. You can also listen another recording of the piece in the sound of a modern Bechstein-Grandpiano on this site.
Quote
Add comment

Security code
Refresh