Steibelt, Daniel (1764-1823)
heute: 11
gestern: 19
diese Woche: 11
letzte Woche: 122
dieser Monat: 519
letzter Monat: 501
Total: 39877

United States 29.1%United StatesRepublic Of Korea 4%Republic Of KoreaAustralia 1.5%AustraliaTaiwan 1%TaiwanHong Kong 0.8%Hong KongEuropean Union 0.5%European Union
Germany 20.6%GermanySpain 3.1%SpainArgentina 1.5%ArgentinaBelgium 1%BelgiumHungary 0.7%HungaryFinland 0.3%Finland
Japan 4.6%JapanItaly 2.4%ItalyDenmark 1.5%DenmarkRomania 0.8%RomaniaRussian Federation 0.7%Russian FederationSlovenia 0.3%Slovenia
United Kingdom 4.4%United KingdomNetherlands 2.3%NetherlandsSwitzerland 1.2%SwitzerlandPoland 0.8%PolandAustria 0.7%AustriaViet Nam 0.3%Viet Nam
France 4.2%FranceCanada 1.9%CanadaMexico 1.2%MexicoBrazil 0.8%BrazilUkraine 0.7%UkraineChile 0.3%Chile
recent visitor statistic

Projects

Star InactiveStar InactiveStar InactiveStar InactiveStar Inactive
 

Grande Sonate pour le piano-forté op.45 Eb-Dur

im Klang eines Schantz Pianoforte

(zur Paralellinterpretation im Klang eines modernen Bechstein)

erst logo

 

Comments   
0 # Professor, Department of MusicKathleen Solose 2018-07-30 18:54
Hello
great to hear this literature, even if it is somewhat wooden.
I’m curious about the techniques you are using.
I imagine you are translating scores directly to the sampled registers, and then tweaking the timing (in the case of the Adagio] in some places. In this age of difficulty to find venues and funding for live performance, it is a useful service that you are doing! Very interesting project.

Answer.S.F.: Following the idea of the historic informed performance this recordings uses a digital reconstruction of a Schantz pianoforte from the time in which this music was composed. You can also listen another recording of the piece in the sound of a modern Bechstein-Grandpiano on this site.
Quote
Add comment

Security code
Refresh